In England of the 1790s, a clever farm boy with no fortune, no family name and an abundance of nerve sets out to rise—and discovers that every door he reaches opens onto someone determined to slam it. Thomas Holcroft's The Adventures of Hugh Trevor, first published in six volumes between 1794 and 1797, tracks its hero from the workhouse to the drawing room: apprenticed, abandoned, brutalised, rescued and patronised in turn, Hugh never stops moving, and neither does the novel.
Hugh is brave, curious and hopelessly susceptible to flattery. He believes in the institutions he has been raised to revere—school, Church and the dream of Oxford—and each of them fails him, and each failure cuts deeper, as the distance between the world's professions and its practices widens. Few novels of the period sharpen their satire so steadily, or race through so much of Georgian society that other fiction of the time carefully ignored.
Holcroft knew this terrain from the inside. A stable boy and shoemaker who talked his way into London's literary and theatrical world and became a wanted man in the repression that followed the treason trials of 1794, he wrote his hero's education out of his own. Yet beneath the novel's anger runs a conviction that belongs unmistakably to its author: that human beings can improve, and that institutions should be judged by their conduct rather than their rank.
Pacy, humane and often shocking, Hugh Trevor is one of the boldest novels of the radical decade—now restored to print in three volumes.